The crowd at the 64th Rencontre Assyriologique Internationale cum 12th Melammu-Seminar, 16-20 July 2018 in Innsbruck
Back in July the International Assyriological Association held its annual Rencontre in Innsbruck. I could talk about some of the papers I heard and posters I saw, or the curious characters I meet at these, but I am very tired, so I will just talk about one aspect: the largest festival of films in ancient Near Eastern languages in history.
“But Sean,” you must be saying, “it was only two films as part of a five-day conference. Does that really constitute a film festival?” Hear me out! Two films makes a plural, according to the best cuneiform tradition, and it was indisputably a festive occasion. If a celebration where films are showed before their release into theatres and/or streaming is not a film festival, what is? And while I admit that being the largest festival of films in Ancient Near Eastern languages is a bit like being the world’s most prominent armour historian-ichthyologist, if someone wants to beat our record, they are free to organize a showing of three films in ancient Near Eastern languages, say at the 14th Melammu-Symposium in Los Angeles ({ki}AN.TÚR.HI.A).
Both films are adaptations of famous literary texts. Edubba A- The Film is one of the stories about life in the tablet-house preserved in Sumerian on tablets from the age of Hammurabi. Assyriologists debate whether these reflect life at the time of the oldest surviving copies, or are more like J.K. Rowling telling a public-school story based on other public-school stories … it seems that in the age of Hammurabi there was a rush to record Sumerian texts which had previously been memorized on clay. You can find Edubba A- The Film on the Berner Altorientalisches Forum.
The Poor Man of Nippur is a Babylonian tale of poverty, injustice, and one young citizen’s revenge. The original tablet was copied for Qurdi-Nergal at Huzirina (modern Sultantepe, Turkey) sometime between 701 and 619 BCE. This story uses many of the patterns and tropes seen in the folktales collected in the last few hundred years, such as the “History of the First Larrikin” in a medieval Arabic manuscript, so again trying to work out its exact age is difficult. In the interest of equal representation, I can report that this film acknowledges not one but two goats and an archaeological park in the credits. You can find The Poor Man of Nippur with subtitles in your choice of languages on YouTube and a link to a translation of the Akkadian on the CDLI:wiki.
Enjoy! I will embed the videos below the fold.
