• About
  • Armour in Texts
    • English Wills and Inventories
    • French and Burgundian Military Ordinances
    • Greek and Roman Inscriptions and Papyri
    • Lydgate’s Troy Book
    • Murḍa al-Tarṣuṣi
    • Nineteenth-Century Travellers and Researchers
    • Pedro de Aguado on Armour in New Spain
    • Records of the Armourers’ Company of London
    • Rule of the Pourpointiers of Amiens
    • Rules of the Paris Guilds
    • Rules of the Troyes Guilds
    • Rules of the Venetian Guilds
    • Statutes and Privileges of the Armourers and Scabbardmakers of the City of Angers
    • The Book of the Hirelings of the Republic of Florence
    • The Norwegian King’s Mirror
  • My Articles
  • Resources
    • Active Open-Access Venues in Ancient World Studies
    • Building a Website to Last
    • COVID-19
    • Fashion in the Age of Datini
      • Bocksten Cloaks
      • Crossbows
      • Extant Quilted Garments
      • How Heavy Were Doublets and Pourpoints?
      • Sheaths and Sword-Belts
      • The Baggage of a Student in 1347
    • Project TUPPU
    • Reenacting the Archaic and the Long Sixth Century
      • Cooking, Eating, and Drinking
      • Edgetools
      • Firestarting
      • Recipes
      • Replica Edgetools
      • Shoes and Sandals
    • Suppliers for Historical Crafts
  • Support
  • Why no Facebook/Google+/LinkedIn/Tumblr/… buttons?
    • My Social Media Policy

Book and Sword

~ Pontifex minimus

Book and Sword

Tag Archives: historical European martial arts

A Path not Taken

10 Saturday Apr 2021

Posted by Sean Manning in Medieval, Modern

≈ Leave a comment

Tags

fandom, historical European martial arts, medieval, modern

a beach in twilight with sand, an area of rocks and seawead, pebbles, and steep cliffs covered with trees and brush
A beach at low tide in Greater Victoria, BC. Photo by Sean Manning 4 April 2021. At high tide there are two beaches!

The modern international historical fencing movement began in the 1990s, but before that there were isolated or short-lived attempts to collect old fencing manuals and practice their teachings. Like some exiled scholars before me, I am taking advantage of the situation to read books and find references which I could not at home. I read the following long before I discovered the historical fencers or was in the habit of listing all the useful passages I read. It was published in 1969 and describes the foundation of SCA Heavy combat in California. It begins:

Fencers and kendo men occasionally take part in tournaments. At present, some people are experimenting with rapier and dagger. No doubt still other weapons will appear. It will be interesting to see how they do.

It is likely interesting to consider the methods of their appointment. Except for a recent discovery of an old German manual by Jakob Sutor, which treats only a few kinds of arms, nobody has yet turned up contemporary instructions for sword and shield or the like. If any of you out there know of some, the Society will be grateful for the information. Meanwhile, reconstruction has been by trial and error. The influence of judo and karate is noticeable in the results. We would love to know if the men who stood at Hastings or Crécy- a time gap which may well have seen considerable evolution- had developed similar styles or quite different ones. In the later case, which set would be more effective?

Continue reading →

Twelve Early European Fencing Manuals

19 Saturday Dec 2020

Posted by Sean Manning in Medieval, Modern

≈ Leave a comment

Tags

historical European martial arts, medieval, modern, source

reprints of four early European fencing manuals on an ironing board covered with a colourful cotton print

Today anyone who wants to can download photos of almost all the European fencing manuals written before the 20th century, and often buy a convenient reprint or translation. But this makes it difficult to get a sense of the genre as a whole. Which manuals should someone who is just getting interested in the subject read first? How can we decide which texts our readers or listeners are likely to know, so that when we mention them it helps them understand? The last academic monograph on the subject, Sydney Anglo’s The Martial Arts of Renaissance Europe (2000) is organized by themes so information on any one manual or tradition is scattered across different chapters.

So this week, I would like to give a short list of books which is representative of European fencing manuals before the middle of the 17th century.
Continue reading →

Cross-Post: FS Geibig Erscheint

08 Tuesday Dec 2020

Posted by Sean Manning in Medieval, Modern

≈ Leave a comment

Tags

arms and armour, cross-post, historical European martial arts, medieval, prehistoric European martial arts

In honour of his retirement from Veste Coburg, a Festschrift for arms-and-armour scholar Alfred Geibig has been published.

Contributions in English and ?German? are by Heiko Berger, Raphael Beuing, Dirk H. Breiding, Heiner Grieb, Heinz Huther, Armin König, Arne J. Koets, Stefan Mäder, Jürg A. Meier, Ingo Petri, Christopher Retsch, Mario Scalini, Tobias Schönauer, Jens Sensfelder, Wilfried Tittmann, Heiko P. Wacker, Roland Warzecha, Herbert H. Westphal, Bob Woosnam-Savage and Joachim Zeune.

Hieb- und stichfest – Waffenkunde und Living History. Festschrift für Alfred Geibig (= Jahrbuch der Coburger Landesstiftung, Bd. 63, 2019), Petersberg 2020, ISBN 978-3-7319-1027-5 (488 Seiten, 29,95 €, erscheint 12/2020)

You can order via email here: sgvcoburg@bsv.bayern.de and read the original German announcement here

Some Addenda to the History of the Historical Fencing Movement

23 Friday Oct 2020

Posted by Sean Manning in Medieval, Modern

≈ 1 Comment

Tags

historical European martial arts, medieval, modern, oral history, publishing

The mysterious (and tracking-heavy and script-heavy) website historicaleuropeanmartialarts.com has a history of the current historical fencing movement. Although they don’t provide an email address, I would like to add a few lines to their chronicle.

1972: James Louis Jackson publishes Three Elizabethan Fencing Manuals (Scholars’ Facsimiles and Reprints), a facsimile of the English version of di Grassi, Vincento Saviolio, and George Silver’s Brief Instructions. This book is purchased by many university libraries and becomes the starting point for many English-speaking fencers.

1979: Archaeologist William Gaugler founds a program teaching masters of classical Italian fencing at San José State University in California (Britannica). His books and students have a major influence in the historical fencing community in North America after the year 2000 and help keep this tradition alive in North America where it is threatened by versions of fencing optimized for winning bouts under the Olympic rules and electric scoring. Two articles are Tony Wolf, “The Future of Fencing is in its Past: An Interview with Maestro John Sullins.” Journal of Manly Arts, August 2003 https://www.ejmas.com/jmanly/articles/2003/jmanlyart_wolf_0803.htm and Puck Curtis, “In Search of the Rudis,” A Midsummer Night’s Blog 18 June 2014 http://www.puckandmary.com/blog_puck/2014/06/in-search-of-the-rudis/

1999: J. Christoph Amberger persuades a publisher to print an expanded version of the proceedings of his fencing-history fanzine Hammertz Forum as The Secret History of the Sword. While the main text is focused on the 19th and 20th centuries, the appendices list people and businesses to contact including Patri Pugliese.

?September? 1999: first Western Martial Arts Workshop (WMAW) in the Chicago area. At some point it sets up a bi-annual schedule at the DeKoven centre in Racine WI, with occasional smaller, off-year events without the WMAW name: they numbered the event in 2019 as their 14th and the event in 2007 as their 8th.

Continue reading →

Sword and Buckler Fencing in Ulrich von Zatzikhoven

29 Saturday Aug 2020

Posted by Sean Manning in Medieval

≈ Leave a comment

Tags

historical European martial arts, medieval, source, sword and buckler

two monsters with serpentine lower bodies fighting with clubs and bucklers

I don’t know of any mermen fencing so how about these marginalia monsters? Fighting with clubs instead of swords was popular as a way of managing danger, some of the legislators trying to take control of duelling proposed to allow clubs but ban sharp weapons (Ariella Elema, “Tradition, Innovation, Re-Enactment: Hans Talhoffer’s Unusual Weapons.” Acta Periodica Duellatorum 7.1 (2019) https://doi.org/10.2478/apd-2019-0001). From Besançon BM MS.551 Miracles de Notre Dame folio 87r c/o Manuscript Miniatures

For at least 15 or 20 years, people who attend the right events and drink with the right people have known that much of the fencing jargon in later fencing manuals first appears in French chivalric literature of the 12th and 13th century. In 2015 Olivier Dupuis published an article in Acta Periodica Duellatorum so the evidence is available to everyone. But he overlooked one important source, Ulrich von Zatzikhoven’s Lanzelet. This was written in German but inspired by a “welsh (Romance-language) book” brought to Austria by one of the hostages for Richard the Lion-Heart named Hugh de Morville. Ulrich was so impressed by it that he translated it into German. We don’t have any one manuscript in French or Norman or Occitan which tells the exact same story. Translating a romance could be a creative process in the middle ages, and ancient and medieval writers loved to disguise fiction as “a translation of a manuscript in a foreign language which I discovered.” But in terms of content Lanzelet is very much a romance of the late 12th century, with strong parallels to Welsh and Irish stories. Fencing appears in three or four stories in this romance.

The first story comes from Lancelot’s education by his guardians in the Otherworld. There were no soldiers or horsemen there and he was still a child so he learned other skills:

At the youth’s request the lady did a wise thing, for he seemed to her a lively boy: she sent for mermen (merwunder) and had them teach him to fence (lêren schirmen: 279). In this exercise he would never give up before he had to. He had also to play prisoners’ base, to jump extraordinary distances, to wrestle strenuously (starclîche ringen: 284), to hurl stones, both big and little, a good distance, to throw darts (he was never wearied by any of his instruction), to still-hunt, to hawk, to chase with the full pack, and to shoot with the bow. The men who came from the sea gave him skill. In all ways was he wise and manly, but about knightly horsemanship (ritterschaft) he knew nothing whatsoever, for he never mounted a horse, and he was ignorant of armour (harnasch). And so he grew to be fifteen years old in that land.

– lines 275-301 of the Bibliotheca Augusta transcription based on W. Spiewok’s edition from 1997. I have adapted the translation in Ulrich von Zatzikhoven, Lanzelet: A Romance of Lancelot, tr. Kenneth G. T. Webster, ann. Roger Sherman Loomis (Columbia University Press: New York, 1951) pp. 28-29

Ulrich makes fun of his hero when he first gets on a horse and takes a spear in his hand.

The second story comes from one of Lancelot’s indiscretions with his host’s daughter or wife (this time it is his daughter, there are signs that she was his wife in an earlier version of the story like in Sir Gawain and the Green Knight). They take great pleasure in each other for the night, but dawn is coming:
Continue reading →

Paradoxes of Sword Design

09 Saturday May 2020

Posted by Sean Manning in Ancient, Modern, Not an expert

≈ Leave a comment

Tags

engineering geekery, historical European martial arts, not an expert, swords

cross-sections of six swords near the guard

Cross-sections of six swords near the hilt. From Peter Johnson’s talk “Paradoxes of Sword Design” at Arctic Fire 2012 https://youtu.be/nyAc5HbUuqw?t=2630

In February, I started to think seriously about swords after sketching the swords from Ghalekuti (which I will blog about one day). I am the “armour” sort of historical fencing person not the “swords” sort (thanks Steve Muhlberger) and I don’t have access to many originals in good condition. A group of European and American bladesmiths and engineers have been thinking about how to describe swords and how they want to move. The names I know best are Michael Tinker Pearce, Vincent le Chevalier, and Peter Johnsson; other people would mention Angus Trim and George Turner.

Swords are simple objects, but designing a specific sword requires trading off all kinds of goods against one another. The longer sword is more of a nuisance to wear and slower to draw, the stiffer sword may not be as effective in cutting, the more complex hilt limits how the weapon can be held. These seemingly simple objects hide a lot of engineering that you can slowly train your eye to see and your arm to feel.

This is a topic where not much has been formally published, but two great web resources are “Understanding Blade Properties” by Patrick Kelly and Peter Johnsson’s talk “Paradoxes of Sword Design” from Arctic Fire 2012 (warning: YouTube). Peter Johnsson is probably the most charismatic speaker discussing these ideas today and he has his own theory of how the medieval cruciform sword was designed. Because his talk is 80 minutes long and on a scary Google website I want to call out two things which I noticed.
Continue reading →

Cross-Post: Roland Warzecha Workshops 2020

09 Monday Mar 2020

Posted by Sean Manning in Medieval

≈ Leave a comment

Tags

cross-post, High Medieval, historical European martial arts, medival, prehistoric European martial arts, Viking Age

A bout with Viking shields and blunt swords.  One fenceruses the strange palm-up cut which was taught in late medival marital arts but not most other traditions.

Roland Warzecha is teaching five (!) workshops this year on his interpretation of fighting with Viking Age shields, and on the sword-and-buckler system of Royal Armouries MS. I.33. The living-history related workshops include:

April 4/5, Viking Museum Haithabu: Viking shield (cancelled due to insufficient enrolment)

June 13/14, History Park Bärnau: Viking shield

August 1/2, History Park Bärnau: Sword & buckler. You are welcome to bring your 13th/14th century shields, too.

September 12/13, Viking Museum Haithabu: Hedeby Bouts

September 7–13, Viking Museum Haithabu: Hedeby Viking Week

All of these events except the Berlin Buckler Bouts are on the margin of ‘enough students to justify it and not, so if you are able to travel to Germany and interested in Viking Age or c. 1320 living history, check them out!

You can find more information about equipment and about the 2020 workshops on Patreon. He is very close to reaching his next fundraising milestone!

What is a Martial Art?

07 Saturday Mar 2020

Posted by Sean Manning in Ancient, Medieval, Modern, Not an expert

≈ 4 Comments

Tags

definition, historical European martial arts, not an expert

A display of wicker shields, helmets and face-masks, bows in bowcases, and sabres on a whitewashed wall

Captured Turkish arms from the 2. Rustkammer, Schloss Ambras, Innsbruck, July 2013

Back when I started historical fencing, I thought about what is a martial art and came up with a definition which worked for what I was doing (ie. trying to learn to fight a particular way). Someone interested in martial arts communities might chose a different definition: someone is an Olympic wrestler or SCA heavy fighter because they participate in a certain kind of event, and how they move is irrelevant.

Definition: A martial art is a subset of all the possible ways of moving effectively in combat which works well together and is sufficient to solve a martial problem.

We shall divide this sermon into six parts.
Continue reading →

Is That a Dagger I See Before Me?

22 Saturday Feb 2020

Posted by Sean Manning in Ancient, Modern

≈ Leave a comment

Tags

ancient, historical European martial arts, modern, psychology of combat, wisdom literature, Xenophon

I certainly should like to see Peisander the demagogos learning to turn somersaults among the knives; for, as it is now, his inability to look spears in the face makes him shrink even from soldiering.

– Xenophon, Symposium, 2.14 (tr. Loeb, slightly edited)

Concerning the dagger, that which is to bee done therewith, it is to be noted, that for great advantage, it would be holden before with the arme streched forth & the point respecting the enemie, which although it be far from him, yet in that it hath a point, it giveth him occasion to bethink himself.

– Giacomo di Grassi, “On the Sword and Dagger,” in Ragione di adoprar sicuramente l’Arme (1570, tr. London 1594)

But all Etruria’s noblest felt their hearts sink to see
On the earth the bloody corpses; in their path the dauntless Three;
And, from the ghastly entrance where those bold Romans stood,
All shrank, like boys who unaware, ranging the woods to start a hare,
Come to the mouth of a dark lair where, growling low, a fierce old bear
Lies amidst bones and blood.
Was none who would be foremost to lead such dire attack?
But those behind cried “Forward!”, and those before cried “Back!”
And backward now and forward wavers the deep array;
And on the tossing sea of steel, to and fro the standards reel;
And the victorious trumpet-peal dies fitfully away.

– Thomas Babington Macaulay, Horatius at the Bridge (1842)

What Reproductions Can and Can’t Teach You

30 Saturday Nov 2019

Posted by Sean Manning in Modern

≈ 8 Comments

Tags

baselard, historical European martial arts, modern, reproduction, review

A hand gripping a dagger with a wooden hilt

The classic ‘icepick’ grip, by far the most common in late medieval paintings of assaults and fencing manuals

In the past year I succumbed to the allure of two of Leo “Tod” Todeschini’s products: a table knife and a baselard. In the late middle ages baselards were big knives with H-shaped hilt hung from the belt between the legs (in barbarous northern countries) or at the right hip (by polite and civilized Italians who had other ways to show they had something long and hard between their legs). He offers two standard models, one which was popular in the Alps and another which was more common in northern Italy and England.

Tod is a brilliant cutler. He captures the essence of knives as objects of lust which you buy and carry against your better judgement. (People in the fourteenth and fifteenth century were not idiots, their coroner’s reports and city statutes show that they knew that when young men start carrying big knives some of them will stab each other with them- and Chaucer always tells you what kinds of knives people are wearing, and whether they are mounted with silver or brass). Tod includes scabbards and suspensions which let you understand knives as accessories not just as something to hang on your wall or leave in your kitchen or your travel chest. The scabbards are painted in a single colour like many originals and lightly tooled like finds from the Thames and the Low Countries. The brass chape is brazed so well that it is hard to see the join (whereas most of the originals Mark Shier has handled are just overlapped or stapled closed). The baselard is beautifully finished, with the nails evenly peened and the wood smoothly set onto the iron core, and has a pleasant substance in the hand thanks to the thick, heavy forte of the blade. The 44 cm length of this baselard is pretty typical (there were a few smaller examples, and many the size of a sword). (Parenthically, his working, table, and kitchen knives would make excellent gifts for a chef or camper in your life). But there is one thing about this knife which is not ideal for me.

Six chapes of folded copper-alloy sheet

Some typical late medieval or early modern knife chapes of folded copperalloy sheet in the Gaukler collection. 10487 in the upper right is most typical of the ones he has handled.

Continue reading →

← Older posts

Recent Posts

  • Fiscal Crisis at Laurentian University, Ontario
  • A Path not Taken
  • Substack Transmits User Email Addresses in Plain Text
  • Building a Website to Last in the 2020s
  • So Take Your Last Look Upon Sunshine and Brook: Citino’s “Death of the Wehrmacht”

Recent Comments

A Path not Taken | B… on Some Addenda to the History of…
Sean Manning on Science Fiction with Egyptian…
russell1200 on Science Fiction with Egyptian…
russell1200 on Science Fiction with Egyptian…
Substack Transmits U… on Some Thoughts on “The Sm…

Archives

  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013

Categories

  • Ancient
  • Medieval
  • Modern
  • Not an expert
  • Uncategorized

Blogroll

  • .. clericus .. making art technological sources accessible
  • A Collection of Unmitigated Pedantry
  • A Durham Weaver
  • A Fencer's Ramblings
  • A Hot Cup of Joe
  • Aardvarchaeology
  • Active History
  • Ad Astra per Mundum
  • Albrechts Bösser
  • Alec Nevala-Lee
  • An Elegant Weapon
  • Ancient World Magazine
  • Andrew Holt: History, Religion, and Foreign Affairs
  • ANE: Just the Facts
  • Angry Staff Officer
  • Anthropologist in the Attic ~2017
  • Archäotechnik- textile Fläche
  • Archeothoughts
  • Artistic License or Why I Trust No One
  • Aryballos: Cdn Research Grp for Ancient Sport
  • Ask the Past
  • Backreaction
  • Bad Science † 2017
  • Balkan Celts
  • Bibliographia Iranica
  • Boke of the Wardrobe
  • Bow vs. Musket
  • Bread & Circuses ~2016
  • Carolyn Willikes
  • Celsus
  • Classics at the Intersections
  • Constantinus Africanus
  • Dan Cohen
  • Dr. Caitlyn R. Green
  • Dr. Conor Whately: Byzantine (OED) "Intricate, Complicate; Inflexible, Rigid, Unyielding"
  • Dr. Ellie Bennett
  • elamit.net
  • Encyclopaedia Iranica
  • Erik D. Schmidt
  • Erik Kwakkel
  • Ex Urbe
  • Executed Today
  • Forensic Fashion
  • Found in Antiquity ~2015
  • Gates of Nineveh
  • Geocurrents † 2016
  • Great Ming Military
  • Hammered Out Bits
  • Handling the Humanities
  • History From Below
  • Hollow Lakedaimon
  • Hook and Eye
  • Ian Milligan
  • Institute for the Study of War
  • International Armizare Society
  • Janice Liedl
  • jfleck at Inkstain
  • Karen Selk Textile Artist
  • Katafalk
  • Ken Mondschein
  • Kiwi Hellenist
  • Kristina Killgrove, PhD
  • Kung Fu Tea
  • La Cotte Simple
  • Language Hat
  • Languages of the World † 2016
  • Linguistrix
  • Loose Threads: Yet Another Costuming Blog
  • Macro-Typography
  • Magistra et Mater
  • Matthew Amt's Greek Hoplite Page
  • Medieval Manuscripts Blog
  • Milesian Tales
  • Mons Graupius
  • Moonspeaker
  • Muhlberger's World History
  • Neues aus der Gothik
  • Neurodojo
  • New At LacusCurtius and Livius † 2014
  • Paleopix
  • pallia: Katrin Kania
  • Paola Fabbri
  • Papyrus Stories
  • Pen, Book, Sword
  • Persian Things
  • Professeur … Ou Pas
  • Publishing Archaeology
  • Reportret
  • Robin Writes
  • Rogue Classicism
  • Royal Oak Armoury
  • Saewulf (Tumblr)
  • Sardinian Warrior
  • School of the Renaissance Soldier
  • Scott Manning: Historian on the Warpath
  • Shtetl-Optimized
  • Silk Road Gourmet ~2018
  • Sparta Reconsidered
  • Sphinx
  • Sprang Lady
  • St. Thomas Guild
  • Tales of Times Forgotten
  • Tetsuji No Llama
  • The Melammu Project
  • The Royal Road
  • Theoretical Structural Archaeology
  • Tracy's Middle East
  • Traditions of Conflict
  • Violent Metaphors
  • Vortigern Studies
  • Website of a Historical Polymath
  • West's Meditations † 2018
  • Wide Urban World
  • Zenobia: Empress of the East ~2017

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blog at WordPress.com.

Cancel

 
Loading Comments...
Comment
    ×