In February, I started to think seriously about swords after sketching the swords from Ghalekuti (which I will blog about one day). I am the “armour” sort of historical fencing person not the “swords” sort (thanks Steve Muhlberger) and I don’t have access to many originals in good condition. A group of European and American bladesmiths and engineers have been thinking about how to describe swords and how they want to move. The names I know best are Michael Tinker Pearce, Vincent le Chevalier, and Peter Johnsson; other people would mention Angus Trim and George Turner.
Swords are simple objects, but designing a specific sword requires trading off all kinds of goods against one another. The longer sword is more of a nuisance to wear and slower to draw, the stiffer sword may not be as effective in cutting, the more complex hilt limits how the weapon can be held. These seemingly simple objects hide a lot of engineering that you can slowly train your eye to see and your arm to feel.
This is a topic where not much has been formally published, but two great web resources are “Understanding Blade Properties” by Patrick Kelly and Peter Johnsson’s talk “Paradoxes of Sword Design” from Arctic Fire 2012 (warning: YouTube). Peter Johnsson is probably the most charismatic speaker discussing these ideas today and he has his own theory of how the medieval cruciform sword was designed. Because his talk is 80 minutes long and on a scary Google website I want to call out two things which I noticed.