• About
  • Armour in Texts
    • English Wills and Inventories
    • French and Burgundian Military Ordinances
    • Greek and Roman Inscriptions and Papyri
    • Lydgate’s Troy Book
    • Murḍa al-Tarṣuṣi
    • Nineteenth-Century Travellers and Researchers
    • Pedro de Aguado on Armour in New Spain
    • Records of the Armourers’ Company of London
    • Rule of the Pourpointiers of Amiens
    • Rules of the Paris Guilds
    • Rules of the Troyes Guilds
    • Rules of the Venetian Guilds
    • Statutes and Privileges of the Armourers and Scabbardmakers of the City of Angers
    • The Book of the Hirelings of the Republic of Florence
    • The Norwegian King’s Mirror
  • My Articles
  • Resources
    • Active Open-Access Venues in Ancient World Studies
    • Building a Website to Last
    • COVID-19
    • Fashion in the Age of Datini
      • Bocksten Cloaks
      • Crossbows
      • Extant Quilted Garments
      • How Heavy Were Doublets and Pourpoints?
      • Sheaths and Sword-Belts
      • The Baggage of a Student in 1347
    • Project TUPPU
    • Reenacting the Archaic and the Long Sixth Century
      • Cooking, Eating, and Drinking
      • Edgetools
      • Firestarting
      • Recipes
      • Replica Edgetools
      • Shoes and Sandals
    • Suppliers for Historical Crafts
  • Support
  • Why no Facebook/Google+/LinkedIn/Tumblr/… buttons?
    • My Social Media Policy

Book and Sword

~ Pontifex minimus

Book and Sword

Tag Archives: Archaic Greek

The Myth of the Heavily Burdened Hoplite

15 Saturday Jun 2019

Posted by Sean Manning in Ancient

≈ 5 Comments

Tags

ancient, Archaic Greek, classical Greek, combat mechanics, hoplite, material culture, Plataia 2021

How much weight did these warriors carry? Archaeological finds let us give a pretty good estimate. A Corinthian aryballos (oil flask)in the Metropolitan Museum of Art, Accession Number: 41.162.157

Today, people with detailed direct knowledge of Iron Age arms and armour in the Aegean describe them as for athletes, as lightweight as the smiths could make them. Most hoplites had just one or two spears, a round shield, some kind of headpiece and some kind of sword, dagger, or cleaver. A hoplite was heavily burdened in comparison to man with a club and a selection of rocks in a fold of his tunic, not in comparison with modern ‘light’ (not motor-borne) infantry who often carry their own body weight in equipment. So where does the idea that hoplites wore 30 kilos of equipment come from? Back in 2010, Peter Krentz laid out the sad story.

Most scholars writing in English today estimate the weight of a hoplite’s equipment as 70 pounds (33 kilograms) or more, a figure that goes back to Delbrück, who took the figure 72 pounds from W. Rüstow and H. Köchly’s Geschichte des griechischen Kriegswesens von der ältesten Zeit bis auf Pyrrhos (1852). These are German pounds, each equal to 500 grams or 0.5 kilograms, as is clear from places where Rüstow and Köchly give weights in both pounds and kilograms. Their original estimate, therefore, was actually about 36 kilograms (79 avoirdupois pounds). Even this lofty figure has been exaggerated— in 1994 Richard A. Gabriel and Donald W. Boose gave the weight of a panoply (a full set of hoplite equipment) as 85–90 pounds (39–41 kilograms). But, as I say, most scholars writing in English today favor 70 avoirdupois pounds, which Victor Davis Hanson describes as “an incredible burden to endure for the ancient infantryman, who himself probably weighed no more than some 150 pounds.” Rüstow and Köchly’s figures do not deserve this veneration. They did not weigh museum pieces or attempt to reconstruct the equipment. As a result, a reviewer, Theodor Bergk, dismissed their figures as “purely hypothetical attempts,” while Hans Droysen justified his decision to ignore them by calling them “arbitrary estimates.” After all the archaeological discoveries of the past century and a half, especially in the German excavations at Olympia, we can do better today.

– Peter Krentz, “A Cup by Douris and the Battle of Marathon,” in Garrett G. Fagan and Matthew Trundle (eds.), New Perspectives on Ancient Warfare (Brill: Leiden, 2010) pp. 188-190

In short, this number persisted because it was the first one on the table, and because archaeologists refused to systematically measure and weigh finds until the 1990s (and when they did, they mostly did so in Greek and German, while the people becoming interested in hoplites only read English). Krentz estimates the weight of hoplite equipment as follows:

  • Helmet 1.2 kg {Extant Late Corinthian helmets}
  • Body Armour 3.6–6.8 kg {Extant bronze cuirasses and modern linen and leather armour}
  • Greaves (pair) 1.3 kg {Extant bronze greaves}
  • Shield 3.2–6.8 kg {Reconstructions based on two extant shields from Italy; for example, the poplar wood shield covered in 0.5 mm bronze sheet in the Museuo Gregoriano would have weighed 6.2 kg/13.5 lbs new}
  • Spear 1.5 kg {Reconstructions based on extant spearheads and buttspikes}
  • Sword, Scabbard, and Baldric 1-2 kg {Parallels with Roman gladii, weight of one damaged original}
  • Clothing 1 kg {Reconstructions}
  • Total (rounded) 13–21 kg

All of his figures are consistent with the weight of kit from other cultures. While modern infantry have to carry more than their body weight over the mountains of Afghanistan or the steppes of upper Mesopotamia, a Greek hoplite carried about as much weight into combat as I hauled to and from school five days a week.

Help my web hosts hold up their load with a donation on Patreon or paypal.me or even liberapay

Edit 2019-08-03: Corrected the names of the editors of the collection with Krentz’ article

An grave stele from near Athens c. 390 BCE in the Metropolitan Museum of Art, NY, accession number 40.11.23

Cross-Post: Hixenbaugh on Ancient Greek Helmets

21 Thursday Mar 2019

Posted by Sean Manning in Ancient

≈ 2 Comments

Tags

ancient, Archaic Greek, armour, classical Greek, cross-post

A closeup photo of a Corinthian helmet with a rough blue-green patina

Randall Hixenbaugh, illustrated by Alexander Valdman, Ancient Greek Helmets: A Complete Guide and Catalog (Hixenbaugh Ancient Art Ltd: New York, NY, 2019) 738 pages (275 color pages), 8 1/2 x 11 in, ISBN 978-0-578-42371-5, USD 450 (hardcover)

From Jeffrey Hildebrandt, for the deep of pockets:

The most comprehensive study ever produced on the subject of ancient Greek armor, tracing the development of the ancient Greek helmet from the Bronze Age through the Hellenistic Period, cataloguing over 2100 ancient Greek helmets and both public and private collections, examining every aspect of the design, manufacture, use, and cultural relevance of the military helmet in ancient Greek culture. Over 700 helmets are depicted in large full color illustrations.

Ancient Greek helmets are emblematic of the culture that created them at a time when entire nations were often obliterated by more powerful adversaries. This armor was the product of a culture that believed in free thought, free trade, and scientific inquiry unhindered by religious dogma. In their elegant and effective designs, we see the accumulation of these unique factors: individuality, industry, pursuit of excellence, and the desire to protect the lives and property of men that cherished these values.

The author “holds a Master’s Degree in Classical Archaeology and has participated in a number of archaeological excavations of Roman and Punic sites in Tunisia.” I can’t afford $450 books, and I can’t endorse the second paragraph of the description at all (it tells us how 19th century freethinkers, Edwardian colonial officials, and Cold War propagandists wanted to be, not about how ancient cultures actually lived; it picks one culture to represent whatever virtues the speaker admires, then uses other cultures to represent the corresponding vices), but if this book piques your interest, you can learn more at Hixenbaugh’s website. Jeffrey Hildebrandt is very impressed with the author’s earlier work.

Some Thoughts on “Hoplites at War”

25 Saturday Feb 2017

Posted by Sean Manning in Ancient

≈ 7 Comments

Tags

ancient, Archaic Greek, book review, classical Greek, hoplite

The cover of "Hoplites at War: A Comprehensive Analysis of Heavy Infantry Combat in the Greek World, 750-100 BCE" ISBN-13 978-1-4766-6602-0

Paul M. Bardunias and Fred Eugene Ray, Jr., Hoplites at War: A Comprehensive Analysis of Heavy Infantry Combat in the Greek World, 750-100 BCE. McFarland and Company: Jefferson, NC, 2016. ISBN 978-1-4766-6602-0 (paperback) 978-1-4766-2636-9 (ebook). 233 pages.

In 1989 Victor Davis Hanson threw a match into some scholarly tinder by publishing a book which was both very readable and obviously flawed. Since no two scholars could agree about which parts of his book were incorrect, this has lead to thirty years of argument about just what happened on Greek battlefields. Unlike most scholarly debates, this one has fascinated people outside the university who follow the debates and try to push forward their own theories. Some of them have gone on to graduate school, others organize re-enactments and backyard tests, and a few write books. One of these amateur contributions is Hoplites at War: A Comprehensive Analysis of Heavy Infantry Combat in the Greek World, 750-100 BCE by Paul Bardunias and Fred Eugene Ray. That is an ambitious title for a book of 233 pages, and the preface is bold too:

In this book, we make use of traditional sources, but combine those with cutting-edge (apt for a book on warfare!) science … We hope the result provides a comprehensive source on hoplite warfare that will advance key debates for modern scholars, while entertaining the general reader. … [what we present here] is an assessment of what we firmly believe to be most probable based on all evidence at hand.

While this book’s reach exceeds its grasp, I think it contains some important ideas.

Continue reading →

The Great Hall is Ablaze with Bronze

30 Saturday Apr 2016

Posted by Sean Manning in Ancient

≈ Leave a comment

Tags

ancient, Archaic Greek, Iron Age, poetry

A corroded bronze helmet with cheek flaps and a narrow nasal

A “Chalcidian” helmet in the Hermitage, St. Petersburg. From Nymphaion necropolis, tomb 16, acquired by the Hermitage in 1876. Attributed to the early fifth century BCE.


When we look at ancient bronze in museums, we usually see dark, corroded surfaces. Modern sculptors and costumers often deliberately imitate this look, leaving surfaces rough or coating the metal in green or brown coatings. Early Greek poets are explicit about how they preferred bronze to look:

The great hall is ablaze
with bronze; ranks of bright helmets
cover the ceiling and spill
white horsehair crests, ornamentation
for masculine heads. Glistening
metal greaves
, legs’ ramparts
against the arrow’s force,
hang on the wall on unseen pegs.
Fresh linen corslets
and hollow shields clutter the floor;
here are blades from Chalcis;
here, belts in abundance and tunics.
From the moment we took on this job,
these are things we could not forget

Alcaeus of Mytilene, fragment 140 Voigt, as quoted in book 14 of the Deipnosophistae of Athenaeus. Most scholars estimate that Alcaeus lived somewhere within 50 years on either side of 600 BCE; Athenaeus lived 800 years later.

Translation by David Mulroy, Early Greek Lyric Poetry (Ann Arbour, Michigan: University of Michigan Press, 1992). I quote his translation because he lets his readers see how each of the broken fragments of Alcaeus’ work was preserved. A verse quoted to ornament a work on a different topic is different from a paraphrase is different from a scrap of papyrus pulled from a dump. In this case, Athenaeus thought that the poem showed that Alcaeus was more proud of manliness than poetry, and used his poems to urge men to be brave.

M.L. West has another prose translation in Greek Lyric Poetry (Oxford World’s Classics); if readers know of any good translations into verse, please suggest them in the comments!

Assorted bronze fragments in the Archaeologisches Museum, Schloss Eggenburg, Graz.  Photo by author, September 2015.

Assorted bronze fragments in the Archaeologisches Museum, Schloss Eggenburg, Graz. Photo by author, September 2015.

Heraclitus Sighted in Innsbruck

02 Saturday Apr 2016

Posted by Sean Manning in Ancient, Medieval, Modern

≈ 2 Comments

Tags

ancient, Archaic Greek, Heraclitus, Innsbruck, modern

A steel construction fence of wires and tubes with tall stone houses and snowy mountains in the background.  A panel of cloth on the fence has a photo of a hand reaching towards a stream and the label "Alles fließt"

I am more familiar with this one as πάντα ῥεί but “Alles Fließt” and “everything flows” are perfectly fine translations too. Looking north from the Innsbrucker Marktplatz not so far from Conrad Seusenhofer’s house and the mansions and warehouses turned hotels and souvenier shops, April 2016.

The Armour of Patroklos

17 Sunday Jan 2016

Posted by Sean Manning in Ancient

≈ 2 Comments

Tags

Achaemenid, Achaemenid army, ancient, Archaic Greek, armour, Iron Age, source

A painting of a circle withing which a man in Greek armour is crouching and bandaging the arm of a second who is sitting on his round shield

A Red Figure Vase of Achilles and Patroclus, painted around 500 BCE. Courtesy of Wikimedia Commons https://en.wikipedia.org/wiki/File:Akhilleus_Patroklos_Antikensammlung_Berlin_F2278.jpg

I am sick again this week and have not been able to finish a craft project which I wanted to talk about, so I thought I would post half a thought about armour instead. The vase painting above is one of the most famous. Pottery geeks try to assign it to a group of paintings from the same workshop, students of mythology appreciate that Akhilles and Patroklos are labeled, and students of material culture enjoy the details of military equipment. The view of the shoulder-piece springing upwards as soon as it is untied, and of the skirt of ‘feathers’ stopping above the genitals, have shaped many modern ideas about Greek armour. Long ago Peter Connolly repainted it for his Greek Armies.
Continue reading →

Recent Posts

  • Essentialism, Identities, and History
  • Shameless Plug: The Chronicle of the Good Duke
  • And the Morning Road Leads to Stalingrad
  • The Battle for the Future of the Study of the Ancient World is Bigger than Classics
  • Identities Are Hard to Get At

Recent Comments

Sean Manning on Essentialism, Identities, and…
Sean Manning on Essentialism, Identities, and…
Sean Manning on Essentialism, Identities, and…
russell1200 on Essentialism, Identities, and…
Andrew Hobley on Essentialism, Identities, and…

Archives

  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013

Categories

  • Ancient
  • Medieval
  • Modern
  • Not an expert
  • Uncategorized

Blogroll

  • .. clericus .. making art technological sources accessible
  • A Collection of Unmitigated Pedantry
  • A Durham Weaver
  • A Fencer's Ramblings
  • A Hot Cup of Joe
  • Aardvarchaeology
  • Active History
  • Ad Astra per Mundum
  • Albrechts Bösser
  • Alec Nevala-Lee
  • An Elegant Weapon
  • Ancient World Magazine
  • Andrew Holt: History, Religion, and Foreign Affairs
  • ANE: Just the Facts
  • Angry Staff Officer
  • Anthropologist in the Attic ~2017
  • Archäotechnik- textile Fläche
  • Archeothoughts
  • Artistic License or Why I Trust No One
  • Aryballos: Cdn Research Grp for Ancient Sport
  • Ask the Past
  • Backreaction
  • Bad Science † 2017
  • Balkan Celts
  • Bibliographia Iranica
  • Boke of the Wardrobe
  • Bow vs. Musket
  • Bread & Circuses ~2016
  • Carolyn Willikes
  • Celsus
  • Classics at the Intersections
  • Constantinus Africanus
  • Dan Cohen
  • Dr. Caitlyn R. Green
  • Dr. Conor Whately: Byzantine (OED) "Intricate, Complicate; Inflexible, Rigid, Unyielding"
  • Dr. Ellie Bennett
  • elamit.net
  • Encyclopaedia Iranica
  • Erik D. Schmidt
  • Erik Kwakkel
  • Ex Urbe
  • Executed Today
  • Forensic Fashion
  • Found in Antiquity ~2015
  • Gates of Nineveh
  • Geocurrents † 2016
  • Great Ming Military
  • Hammered Out Bits
  • Handling the Humanities
  • History From Below
  • Hollow Lakedaimon
  • Hook and Eye
  • Ian Milligan
  • Institute for the Study of War
  • International Armizare Society
  • Janice Liedl
  • jfleck at Inkstain
  • Karen Selk Textile Artist
  • Katafalk
  • Ken Mondschein
  • Kiwi Hellenist
  • Kristina Killgrove, PhD
  • Kung Fu Tea
  • La Cotte Simple
  • Language Hat
  • Languages of the World † 2016
  • Linguistrix
  • Loose Threads: Yet Another Costuming Blog
  • Macro-Typography
  • Magistra et Mater
  • Matthew Amt's Greek Hoplite Page
  • Medieval Manuscripts Blog
  • Milesian Tales
  • Mons Graupius
  • Moonspeaker
  • Muhlberger's World History
  • Neues aus der Gothik
  • Neurodojo
  • New At LacusCurtius and Livius † 2014
  • Paleopix
  • pallia: Katrin Kania
  • Paola Fabbri
  • Papyrus Stories
  • Pen, Book, Sword
  • Persian Things
  • Professeur … Ou Pas
  • Publishing Archaeology
  • Reportret
  • Robin Writes
  • Rogue Classicism
  • Royal Oak Armoury
  • Saewulf (Tumblr)
  • Sardinian Warrior
  • School of the Renaissance Soldier
  • Scott Manning: Historian on the Warpath
  • Shtetl-Optimized
  • Silk Road Gourmet ~2018
  • Sparta Reconsidered
  • Sphinx
  • Sprang Lady
  • St. Thomas Guild
  • Tales of Times Forgotten
  • Tetsuji No Llama
  • The Melammu Project
  • The Royal Road
  • Theoretical Structural Archaeology
  • Tracy's Middle East
  • Traditions of Conflict
  • Violent Metaphors
  • Vortigern Studies
  • Website of a Historical Polymath
  • West's Meditations † 2018
  • Wide Urban World
  • Zenobia: Empress of the East ~2017

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blog at WordPress.com.

Cancel

 
Loading Comments...
Comment
    ×