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An Old Babylonian terracotta in the Louvre, Paris
In the past few weeks I underwent a kind of Inanna’s Descent with the help of some dear friends who were kind enough not to point and laugh as I did what had to be done. Another thing which helped was classical music, and listening to my favourite radio station gave me an excuse to talk about ancient history.
Papponymy is the practice of naming a son after their paternal grandfather, so that names alternate between generations. Many ancient cultures sometimes practiced it, just like Anglos today sometimes name a son after the father. The satraps of Dascyleium / Hellespontine Phrygia included a Pharnabazus son of Pharnaces son of Pharnabazus. If you know to look for papponymy, you can use it as a clue in guessing family relationships and how many generations stand between individuals who happen to be mentioned in surviving writing. If the names are the same, one or three generations are probably missing, if different then two or four.
Listening to that radio station, I learned about a family which practised papponymy in the 20th century:
- Dmitri Dmitriyevich Shostakovich (composer) father of …
- Maxim Dmitrievich Shostakovich (pianist) father of …
- Dmitri Maximovich Shostakovich (conductor)
An ancient historian would call these Dmitri II Shostakovich, Maxim Shostakovich, and Dmitri III Shostakovich (Dmitri I was the composer’s father) because ancient historians value genealogy and umambiguity and have learned about regnal numbers. But in ordinary circumstances, nobody is likely to confuse the grandson and the grandfather.
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